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Before the Flood Reviews - Metacritic. Two things I want to put first right here. For one, this is an exceptional documentary and works wonderfully as a piece of enlightenment. Secondly, I have to say that Leonardo Di.

Caprio is a really bad actor in it. I also think, however, that you should - and easily can- look past that fact. Now, I think it is a great thing that one of the most famous people in the world gives his face to draw attention to the most urgent issue of our time, the devastation of our planet through our own hands, or how most people call it, "climate change".

Di. Caprio's presence throughout the film also helps you to identify with the situation, you look through his eyes much the same way you see the madness of war through Martin Sheen's eyes in Apocalypse Now. So overall, he benefits this movie in all the right ways.. Well, all the right ways except for authenticity. The problem I have is that when I look at his face during these interviews, I don't see genuine interest. Watch Les Roses Magiques Online on this page. I see disinterest.

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All his "oh my god"s come across as uninspired and fake to me. I see a person trying to level up his PR. He comes across as hypocritical. And I mean he's a great actor, why couldn't he at least pretend interest? It's just baffling to me. He seems to care, but he also looks bored.

Before the Flood movie reviews & Metacritic score: A look at how climate change affects our environment and what society can do prevent the demise of endange. Amy Schumer is showing off a blanket-chic look ahead of Sunday's Oscars.

Directed by Asif Kapadia. With Amy Winehouse, Mitch Winehouse, Mark Ronson, Russell Brand. Archival footage and personal testimonials present an intimate portrait of. The House movie reviews & Metacritic score: After Scott and Kate Johansen (Will Ferrell and Amy Poehler) lose their daughter Alex’s college fund, they beco.

Maybe he plays with brilliance a character meant to reflect our own ignorance and hypocrisy. I kinda doubt that though. But the documentary itself is easily good enough to condone Di. Caprio's ambiguous appearance. I think it takes a look at all the right things and delivered all the right messages.

  1. Amy Lou Adams (born August 20, 1974) is an American actress. She is known for both her comedic and dramatic performances, and as of 2017, is among the highest-paid.
  2. News Amy Schumer Stuns in White Swimsuit as She Opens Up About Aging and Cosmetic Procedures.

Technically, the editing of Before The Flood, it's structure, especially how it uses Bosch's painting The Garden of Earthly Delights as a frame for it's story, is impeccable. I also really liked how they used behind the scenes footage of The Revenant (another film I really like). The cinematography is very impressive, delivering many memorable pictures. And the score by heavy- weights Trent Reznor and Atticus Ross (highly acclaimed for their work on recent David Fincher films) in collaboration with Mogwai (!!) and Gustavo Santaolalla is marvelous.

Watch Amy Online Metacritic

The interviews are all very interesting and informative, illuminating not only the facts we have to face in a very objective and vivid manner, but also showing the different perspectives on the topic from all around the world, giving you a very complete picture. And interestingly enough I didn't find the film to be preachy at all (I definitely expected it to be exactly that), it is much rather informative and insightful. After all, the content of a documentary, and even moreso the way it is delivered, is all that counts. And this makes it, by all accounts, a great film. It helps to gain deeper understanding of one of the most important topics in the world.

And it will convince people not aware of it's importance. You can stream Before The Flood for free on youtube. A great decision on side of the filmmakers. It is the absolute right thing to do in 2. And not to charge money for such a clearly high- budget project definitely shows the good intention behind it. Watch Brotherhood 4Shared. You can follow me on https: //letterboxd.

Amy (2. 01. 5) - IMDb. A haunting, heartbreaking and stunningly brilliant film from Senna director Asif Kapadia, which takes us into the confidence of Amy Winehouse, as the bolshy, big- voiced, jazzy Jewish girl from North London becomes a megastar, while her personal demons, her relationship with a drug addict, and a ravenous, amoral press proceed to rip her to shreds. Thanks to an abundance of revelatory home video footage, soundtracked by incisive interviews, we see her not only as the beehived, cat- eyed chanteuse or the alarmingly ribbed tabloid quarry, tumbling out of a club at 3am, but as a shy, spotty teen with a seductive offhand confidence in her vocal gift. I'm not an enormous fan of Winehouse's music, I think because her deeply personal writing and distinctive, expressive voice tended to be masked by such contrived, Americanised pastiche – trading first on '3. We see stand- ups and TV presenters laughing at her bulimia and drug abuse, her management pushing her out of rehab and onto foreign stages, and – in the second half – a rapacious, vulturous paparazzi incessantly stalking her, an essential decency chillingly absent. If that was my job, I think I would struggle to watch this film and think: "Yes, what I am doing with my life is essentially fine."By contrast, Kapadia's film is quite beautifully lacking in sensationalism. Though it essentially doubles an indictment of a society almost entirely lacking in basic compassion and empathy, it's a work that possesses both virtues in apparently limitless amounts, surely compressing and simplifying an impossibly complex narrative, but attaining something that seems awfully like the truth – and apparently is, according to her closest friends.

Amy is a tough watch, but it feels essential, not just for its vivid picture of a fascinating, deeply troubled young woman, but also for its wider significance: as a plea for people to stop being so horribly selfish, to stop seeing excess and illness as 'rock and roll' and drug abuse as a joke, and for the media to realise that if it wants to paint itself as a crusading Fifth Estate, then some basic humanity wouldn't go amiss.